John Van Hamersveld: TV Life. A Pacific Standard Time Exhibit John consciously explored the camera's power "as a tool for visual poetry", constantly carrying the camera around his neck to take fascinating photographs of the found -- people, places, and things. These photographs also reveal the "social revolution" in John's own life during this distinctive 22-year time frame. |
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![]() T.V. LIFE: A Pacific Standard Time Exhibit. |
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Digital Prints. 20 x 30” (approx). Ed 40. Signed + numbered in border. $1800 |
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![]() LA Times Lobby. 1974 |
![]() Pieta in Abandoned Church. 1972 |
![]() Mona Lisa, The Louvre.1971 ![]() ![]() Beatnik Dog.1977 ![]() Muddy Waters at Ash Grove.1976 ![]() Carrie Fisher Troubled.1977 ![]() Painting In A Circle, Utah.1978 ![]() |
![]() Woman in Station. 1978 |
![]() Eyes in the Sky. 1976 |
![]() Truck Cafe. 1974 |
![]() This exciting collection brings together 34 prints of John Van Hamersveld's street photography,covering a 22-year period in his life from 1965 to 1987. |
![]() Rolling Stones, Sunset Sound. 1972 |
![]() Robert Frank Note. 1972 |
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![]() Ship Rock. 1973 |
![]() State Line California. 1973 |
![]() John Landis. 1977 |
![]() John Hiatt. 1977 |
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![]() Rick Griffin Heart. 1971 |
![]() Boyd and Child. 1969 |
![]() Ron Cooper Making Light Painting.1969 |
![]() Self-Portrait Bellevue Studio. 1969 |
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![]() Rick Griffin and Wing |
![]() Peter Alexander. 1972 |
![]() Artists Kitchen. 1969 |
![]() Saki and Scissor Suicide. 1972 |
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![]() Debi and the Painting. 1969 |
![]() Cassandra Jenkins. 1970 |
The exhibit also consists of photographs taken by John during his experiences working as the Art Director at Capitol Records, traveling between Los Angeles and New York in the Art & Entertainment business, and creating art in his popular Los Angeles studio. |
![]() Chevy in Flagstaff AZ. 1973 |
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![]() Debi's Eyes |
![]() NYC Girlfriend. 1969 |
![]() Merc Body. 1978 |
![]() Merc Dash. 1978 |
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![]() Rodney and Dates. 1978 |
![]() Gary Wong. 1969 |
![]() Punk Billboard. 1978 |
John consciously explored the camera's power 'as a tool for visual poetry', taking shotsof the found -- people, places, and things. These photographs reveal the "social revolution" in John's own life during this distinctive 22 - year time frame. |
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Note: Red copyright is NOT on final prints
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Left: JVH with actual Muddy print. 2011 |
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